For the Branches collection, I started from the idea of structural direction. Rather than depicting a full tree, I focused on the branching logic itself, the way lines divide, extend, and generate new paths.

The composition is based on intersections and divergences. Each branch line is simplified to its essential trajectory, creating a network that spreads across the surface without becoming dense or chaotic. 

The contrast between solid areas and open spaces defines the visual rhythm of the piece. The eye follows the branching paths naturally, moving from thicker segments to thinner extensions. Nothing is ornamental. Every line has a structural role.

Branches is an exploration of growth expressed through geometry. It translates an organic system into a precise visual structure, where expansion, balance, and proportion remain in equilibrium.